3 semaines 5 jours ago
His new Star Searchers release beats Hollywood to it in a speculative take on the long-awaited Avatar 2 film
Spencer Clark will take over Antwerp’s Het Bos Gallery in March to premiere his new Star Searchers album Avatar Blue. Acting as a speculative sequel to James Cameron's 2009 Avatar film (Avatar 2 has a US release date of 18 December 2020), the artist hopes to inject some positivity into the world of Hollywood via his statement and gesture to the personal power of what he calls the “Imagineers”.
The event will take the form of an installation highlighting some of Hollywood's most infamous special effects pursuits, as seen in films such as TC 2000, Hologram Man, Robocop 2, The Abyss and more. The final evening will feature interpretations of Avatar Blue's world by James Ferraro, Francesco Cavaliere and Lieven Martens Moana, along with a performance from Clark himself.
Avatar Blue will run from 20–23 March at Het Bos in Antwerp.
3 semaines 5 jours ago
Her Ngbaduma series will explore the psycho-acoustic properties of rhythm
Between 1–3 March Melika Ngombe Kolongo aka Nkisi will take up a three day residency in East London’s Cafe Oto to present Ngbaduma, a series exploring “trance inducing body, acoustic and optical rhythms through collaborative works, invited sonic performances and my own solo sonic presentation”, she comments. “I am interested in how we communicate through rhythm and the importance of also looking at traditional rhythm in their purposes.
“The trance-inducing power obtained by pulsating frequencies has an effect on the brain wave patterns of humans,” she adds. Participants include Nkisi performing solo and in collaboration with John T Gast as Coldwar, Paul Maheke, Aniche Buanda collaborating with CC Tedika, Astrid Gnosis, Primitive Art and a DJ set from Lyzza.
Nkisi’s three day residency is supported by Jerwood Charitable Foundation.
3 semaines 6 jours ago
The ex-Pavement guitarist shares new track from his forthcoming electronic album
Stephen Malkmus will release his new album in March. Called Groove Denied, it showcases the former Pavement frontman delving into electronic music for the first time, even as it’s “not a full-blown plunge into EDM or hiptronica”, says his record label Domino. On the contrary, his first solo album since 2001 is full of songs and bleak vocals. “It’s fun to mess with things that you’re not supposed to,” remarks Malkmus.
He has already shared the video to the lead single “Viktor Borgia”, which features a forlorn looking Stephen singing alone in a club. “I was thinking things like Pete Shelley’s “Homosapien”, The Human League, and DIY synth music circa 1982,” says Malkmus, adding “and also about how in the New Wave 80s, these suburban 18-and-over dance clubs were where all the freaks would meet – a sanctuary.”
Time spent in Berlin perhaps inspired the album – Malkmus speaks favourably of his experience of the German capital's club and techno scene. “You can zone out, dance and focus on music,” he says, “or just get wasted!”
Groove Denied is released by Domino on 15 March. Malkmus’s forthcoming tour dates can be found on his website.
3 semaines 6 jours ago
Translated by Kentaro Goi as わが人生の幽霊たち:うつ病、憑在論、失われた未来, it’s published by P-Vine/Ele-king Books
The Japanese translation of Ghosts Of My Life: Writings On Depression, Hauntology And Lost Futures by the late Mark Fisher goes into print at the end of January. Originally published by Zero Books in 2014, the Japan edition features extra notes by Mariko Sakamoto, translator of Art Sex Music by Cosey Fanni Tutti, and Tsutomu Noda, author of Black Machine Music: Disco, House And Detroit Techno. It also features an afterword by Hayato Takahashi, a PhD student at Goldsmiths University where Mark taught. Takahashi is currently translating Kodwo Eshun's More Brilliant Than The Sun: Adventures In Sonic Fiction, the publication date of which is still to be announced.
In January 2017 Tokyo's Horinouchi Shuppan published Mark Fisher's 2009 title Capitalist Realism: Is There No Alternative, translated by Sebastian Breu and Ruri Kawanami.
Ghosts of My Life: Writings On Depression, Hauntology And Lost Futures, Japan edition, will be published by Ele-king Books on 31 January.
3 semaines 6 jours ago
Japanese archive specialists digitalise Die Tödliche Doris’s early records
The Japanese label Suezan Studio is about to reissue West Berlin group Die Tödliche Doris’s 1981 debut 12" Sieben Tödliche Unfälle Im Haushalt (Seven Deadly Accidents Around The Household) and 1982 album " ". Originally released by the pioneering Hamburg independent Zickzack, they’re now being made available in CD format for the first time on 28 January, each of them packaged in mini LP card sleeves with an inset including sleevenotes, lyrics and their Japanese translations. The two CDs are part of a five disc reissue programme chronicling the progress of the dada punk art pranksters, whose name puns on the German for deadly or fatal dose (tödliche Dosis). Coming out in March is a mini-CD edition of Die Tödliche Doris’s 1983 box set Chöre Und Soli (Choirs And Solos), the original version of which featured eight 4" records and a tiny record player of the kind used in speaking dolls to play them on, Suezan’s Doris campaign concludes in May with CD versions of 1985’s Unser Debut (Our Debut) and the following year’s Sechs (Six). The latter two were created as a matching set of albums containing equal length tracks. When played simultaneously, in Doris’s scheme of things, an “invisible fifth LP” materialised. Early birds pre-ordering all five CDs at once who’d like to receive a bonus VHS+DVD-R of the film Doris Meets Doris should hurry, as the offer is extremely limited.
Run by Kaoru Koyanagi, Suezan Studio is an archive specialist label with a deep interest in West Germany’s 1980s alternative music scene – its discography so far includes CD reissues of Der Plan, Pyrolator and their Ata Tak label, Materialschlacht, Din A Testbild, Ralf Dörper’s pre-Propaganda output and Arno Steffen, among others.
In other Die Tödliche Doris news, Berlin’s Hybriden-Verlag has published Kostüme (Costumes), founder Wolfgang Müller’s bilingual monograph plus DVD-R documentation of the many costume changes Doris underwent during her seven year lifespan (1980–87) and afterlife as art object. Kostüme is the latest volume in Hybriden-Verlag’s series chronicling Doris’s manifestations in music, film, performance, and more. The book runs to a limited edition of 120 copies housed in a red tote bag adorned with an Ich Bin Die Tödliche Doris! drawing by West German underground film star, fashion icon and sometime Doris member Tabea Blumenschein.
4 heures 53 minutes ago
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